Behind the faders sits Alex Kimpton, an aspiring producer and mixing engineer, with a passion for heavy music but equally versatile in other styles.
Besides producing killer mixes, he has amazing creative intuition when it comes to enhancing productions with special effects, added harmonies, and other elements to give the production their own original twist that keeps the listener on the edge of their seat.
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Free to download stuff. I don't want your email nor any of your data.
Just grab it if you want it, and consider telling me how great they are.
Some captures of a friend's Fender Deluxe '85, with a choice of SM57 Beta and U87i in several positions each. Versions with a 100Hz high-pass also included.
This is my only tangible memory of my University studios other than my degree, and arguably just as useful.
Some snare samples I recorded at Uni, unfortunately lost most of the recordings but manage to salvage these. Four mics with several velocity zones and round robins for each. Includes rim shots (E2). All samples are raw/unprocessed. Reaper project included.
Some time ago I ripped an old alarm system out of the house. I salvaged the speaker and recorded an IR of it.
Will probably sound cool for filtered breakdown sections.
Replace this text with information about you and your business or add information that will be useful for your customers.
or alternatively email alex@overdarkproduction.co.uk
Besides producing killer mixes, he has amazing creative intuition when it comes to enhancing productions with special effects, added harmonies, and other elements to give the production their own original twist that keeps the listener on the edge of their seat.
Alex is a BA Music Technology graduate, aspiring producer and mixing engineer, with real life experience as an assistant engineer in a commercial studio environment as well as a freelance sound engineer in small venues.